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Figure 8-19. The site workflows page Click the WF_08 link, and the processing page will display for a few seconds. When it is finished, go to the Tasks list. You should see a new task similar to the one shown in Figure 8-20.

The initial sketch was quite loose and ill-defined, but was a great starting place from which to develop a new, tighter pencil drawing. This featured a great, dynamic pose as well as other content such as the parrot and the bat-skulls! An inked version of this drawing is made, before being scanned into Photoshop. The inked image is tidied up digitally, and the outlines of the various elements are thickened slightly. Next, a new layer is created above the line drawing, and the blending mode is set to Multiply. This will allow the ink beneath to show through. Flat colors are carefully added into this layer using the Paint Bucket Tool, with the Lasso Tool defining the boundaries of all the different areas in turn. Finally, a little shading and highlights are added using Dodge, Burn, and Hue/Saturation. The final result is a clearly defined image that should prove a striking addition to the cover!

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At this point, The Source had improved hardware and some important new features Chat and SIGs. These put the service on a more competitive footing, and it lost fewer customers than it would have otherwise.

Close the browser, which should end the debugging session. Now look at the Output window in Visual Studio. You should see text similar to this: Active Deployment Configuration: Default Recycle IIS Application Pool: Recycling IIS application pool 'SharePoint - 80'... Retract Solution: Removed workflow association for Workflow1 Deactivating feature 'WF_08_Feature1' ... Retracting solution 'wf_chapter08.wsp'... Deleting solution 'wf_chapter08.wsp'... When debugging has finished, the solution is automatically removed from the SharePoint site.

We ve deliberately created far more artwork for Shadows on Deck than is actually required for the version of the game we ll be making in the book. If you explore the 10 directory on the CD, you ll find many more examples of monsters, environments, and objects that you can use to build completely new levels and scenarios. We ve tried really hard to make it easy to mix and match artwork to fulfill your own wild ideas. How about flying ships, upside-down swamps, or levels made entirely out of skulls and bones Perhaps you d like to make a skeletal centipede dragon How about cannon-headed pirates or skeletons with spider legs Well, if you want them, then it s now within your power to create them. The beauty of the silhouette style is that it s really easy to modify, recombine, and incorporate bits and pieces of other artwork. In this section, we ll give you a brief crash-course in how to modify these resources for yourself. This is not intended as an in-depth tutorial of any kind more of a quick bluffer s guide to creating and animating graphics for Shadows on Deck.

As you ve seen, whenever Visual Studio deploys a feature, it first must retract the previous version. You might occasionally run into a scenario where Visual Studio tries to retract the feature but it doesn t exist. When this happens, you ll see an error similar to the one shown in Figure 8-21.

Although we realize that not everyone will have access to Photoshop, it s certainly worth investing in if you re serious about artwork. We re going to focus on Photoshop CS3 for this tutorial, but any of the more recent versions will do just as well. Before you fire it up, take a moment to explore the contents of the 10/Environments/Cliff directory on the CD. Here, we have a huge range of objects, scenery, and platforms that are designed to be used in the Rogues Rendezvous level. These are all high-resolution images colored in a mid-tone grey so that you can easily adapt them to the needs of different levels and situations. You should be familiar with the idea of using RGB (red, green, blue) values to specify colors, and we re going to use absolute black for foreground objects (R=0, G=0, B=0), and a very dark blue for objects in the near background (R=35, G=37. B=53). This slight difference is enough to give a visual cue to the player about what to expect to be collidable within the environment. Getting the artwork in these colors is very easy.

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